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Penny Racer

by Nathan Burton

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1.
Cantina 02:54
In the old cantina She catches my eye So, I drown her in tequila And we trip through the night Maria, she looks like she already knows Caught in her web till this story unfolds She ain’t such a catch boys Hold on to your hats There she goes The temperature’s racing To a hundred degrees The chilli beans are shaking To a mariachi beat Maria, she looks like she already knows Caught in her web till this story unfolds She ain’t such a catch boys Hold on to your hats There she goes Oh, oh, oh, oh (La, la, la, la, la, la, la, la) Oh, oh, oh, oh From Hawaii to Osuna See the coloured papers fly The music plays a heart-shape For the morning to decide Maria, she looks like she already knows Caught in her web till this story unfolds She ain’t such a catch boys Hold on to your hats There she goes
2.
NYC 02:40
He was walking down the street With a half-borrowed hat set on straight He was meeting some girl in a New York City bar But he was late Yeah, he’s from downtown New York City, man She was talking on her phone Behind the curtains of the photoautomat Speaking in a tone that seemed at odds Just with the way that she was sat Guess she’s from NW London, England, man She said she loves those Subway Clowns That Jenny always keeps an ear to the ground She’s always raving about those rock and roll bands But he’s, he’s from downtown New York City There’s a girl you gotta meet She’s with a man who’s happy howling at the moon (Ah whoo ooh ooh) Danced alone to footage of a concert in her own from room She got away, got out And made her way down to New York City, man Well out there on the street He’s trying to keep himself ahead of the race Collecting all this music so he’s got something to say and to chase They say he bought and found Every sound down in New York City, man Yeah, Jenny loves those “Subway Clowns” She says she always keeps an ear to the ground She’s always raving about those rock and roll bands And me? Well, I ain’t from downtown New York City Sometimes my head, my heart, my thoughts, they ain’t too pretty
3.
How Are You? 02:46
She demonstrated fencing tricks And short films far from home She frequently must babysit To supplement her load So, I smoked out on the window ledge And cleaned up like I was told And I thought I repeat myself it’s nothing new I am a cycle turning true A nervous “Hello, how are you?” How are you? I stopped into the fruit and veg And stocked my head with doubt “I’ve seen your face before”, she said But the words still don’t come out With the blowout of a birthday cake I skipped six flights or more And I thought I repeat myself it’s nothing new I am a cycle turning true A nervous “Hello, how are you?” How are you?
4.
Another day has gone too far Too busy in the clouds Reaching up For your chance to speak out loud And you could leave if you wanted But how much do you want it? Strike a match Hold it to my name And I’ll try to explain But there’s something always standing in my way So, try it on, just try your luck Your best won’t ever do You lie, cheat and smile As you’re pushing your way through And of these moments that I’ve wasted Yours is the moment I’m still left with Strike a match Hold it to my name And I’ll try to explain But there’s something always standing in my way Wake your heart from its sleep Live the love you dare to keep Live the la la la la la I don’t know if things will change But they cannot stay the same You know they cannot stay that way As people come and as people go The jealousy expires And I can’t talk Keep talking every night But I’ll miss you in the meanwhile Alone we walk the half-mile Strike a match Hold it to my name And I’ll try to explain But there’s something always standing in my way But there’s something always standing in my way
5.
#260 03:01
I was loud enough to start with You were quiet enough to say I might bring you down but I sure don't make it rain But if I ain’t got time to sing it Then I ain’t got time at all I hit the floor, come on give me more, give me more You kept on asking me for the money I kept on picking up your signs I left myself all but nothing but a single rhyme I can’t wait for this to happen I can’t wait I’ve gotta run It was fun, we were very young but I’ve gotta run Now I’m hiding down some alley Holding hands with nothing but the sound Of the giant billboards laughing So, I made my way to the station under ground But you’re not around You’re not around Two weeks ago I met you On the red-wheeled 260 Little did I know you were charging for my time She said, “Why are you so serious?” “Why are you so blind?” Wasting time, I’m doing fine, I think you’re right Can’t even get up in the morning You’re not in love enough to blush You got a ticket for this ride, don’t fuck it up So, if we’re gonna end this story Then I’m gonna break this down Coming round, coming round, I’m coming round Now I’m hiding down some alley Holding hands with nothing but the sound Yeah, of the giant billboards laughing So, I made my way to the station under ground But you’re not around You’re not around
6.
I see things that you don’t I hear things that you won’t I watch conversation, see When here in the Chinese laundry When here in the Chinese laundry Ugly women talking Dirty men are stalking With duck down coats they line the street Outside the Chinese laundry Outside the Chinese laundry She tries so hard to please me Yet I know I am leaving Though it costs just three-seven-five When here in the Chinese laundry Upstairs in the Chinese laundry
7.
Scrabble 03:52
It’s easy when you know how But I don’t think I know how It’s easy when you know you’ve got one place left to run So, lift those heavy eyelids And leave it all behind kid Cause out here we’re just waiting for a change But the change won’t come When nothing moves round here no more When no one’s banging down your door Yeah, I get low Won’t you please just come on over And play a game with me I thought I saw you walking I thought I heard you talking But now you’re just a ghost in the frame of an eastbound train So, lift those heavy eyelids Don’t throw away what I did Cause out here we’re just waiting for a change But the change won’t come When nothing moves round here no more When no one’s banging down your door Yeah, I get low Won’t you please just come on over And play a game with me But the change won’t come When nothing moves round here no more When no one’s banging down your door Yeah, I get low Won’t you please just come on over But I don’t wanna play anymore
8.
Andrew Ball 02:54
Andrew Ball, recovering alcoholic man Spent twelve months living upstairs at his Auntie Anne’s Everybody knows, curtains always closed Auntie Anne won’t answer the phone Morning tea, runny eggs and GMTV Pie for lunch, afternoon snooze and some Monster Munch They say he lost his job, his wife went off with Rob A newsagent from Loughborough Road Everyday drags on the same Every hour a different shade of grey Obsessive for Das Boot, crosswords and word soups And tea cups from the Antiques Roadshow Andrew Ball, recovering alcoholic man Spent twelve months living upstairs at his Aunty Anne’s Everybody knows, curtains always closed Auntie Anne won’t answer the phone Morning tea, runny eggs and GMTV Pie for lunch, afternoon snooze and some Monster Munch They say he lost his job, his wife went off with Rob A newsagent from Loughborough Road Slowly things began to change (Like they always do that way) Andrew Ball back on his feet again Andrew Ball Andrew Ball Andrew Ball Andrew Ball
9.
Instrumental 03:20
10.
I’ll keep you up all night I'll keep you down when you’re high I'll steal your money Insult you honey I'm guaranteed to keep you satisfied I’ll ignore my ringing telephone I’ll ignore you when we’re alone I’ll sell your clothes Make tactless jokes I’m guaranteed to waste all of your time So, you pay for lunch Cause when it comes to the crunch Honey, one flower’s a bunch I'll keep you up all night I’ll keep you down when you’re high I’ll smoke them all And leave it all to fall I’m guaranteed to keep you satisfied I’m guaranteed to keep you satisfied

credits

released October 28, 2013

all songs written and arranged by Nathan Burton

Pierre Ayral - Drums (NYC)
Bassel Hajj Chehade - Piano (Cantina / How Are You? / Chinese Laundry / Andrew Ball / Instrumental / 100% Guaranteed)
Colin Clark - Cello (Chinese Laundry)
Neil Coyle - Backing Vocals (100% Guaranteed)
Shaun Coyle - Backing Vocals (100% Guaranteed)
Donald Devienne - Trumpet (Andrew Ball)
Andrew Mazingue - Double Bass (NYC)
Yann Messence - Drums (How Are You? / Scrabble / Instrumental / 100% Guaranteed)
Caroline Pearsall - Violin / Viola (How Are You? / Chinese Laundry / Andrew Ball / Instrumental)
Dan Ryan - Ukulele (Cantina), 'Harpsichord' (Cantina), Mandolin (NYC / 100% Guaranteed), Backing Vocals (100% Guaranteed)
Tom Ryan - Mandolin (#260), Harmonica (100% Guaranteed), Backing Vocals (100% Guaranteed)
Mathieu Schmitt - Double Bass (Chinese Laundry)
Nick Simpson - Drums (#260 / Chinese Laundry / Andrew Ball)

Recorded and mixed by Nathan Burton

Cover photo taken somewhere in Manchester c.1972

2013 Single Rhyme (SR001)
UPC: 5055489294995

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'an exceptional album crammed with genuine talent, great songs and an authentic outlook on life, love and everything... both intricate and naked in its presentation and packed with some true gems.' 9/10 - louderthanwar.com

'timeless and hauntingly pretty... his alt-country-tinged acoustic guitar music has a rich, full-bodied flavour. An enviable talent following his own path - Burton’s poised to make a mark' - thisistruluv.com

'... a sublime LP... switchback 60's acoustica and genuinely observational songs that tot up accounts of real life romance and other daily toils - sweet vocals and a deft acoustic touch make this your unplugged album of the year to listen to ...' - manchestermusic.co.uk

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Nathan Burton UK

British singer-songwriter and musician originally from North Wales.

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